Rishab attends Bhoota Kola festival to thank Daiva for ‘Kantara’ success

‘Kantara’ captured the hearts of the audience with a story inspired by the divinity of the boar-faced Panjurli Daiva.

The action thriller went on to achieve sleeper hit status at the box office. To thank the Daiva and seek the divine being’s blessings, actor-filmmaker Rishab Shetty, and Vijay Kirgandur, founder of the production house Hombale Films, offered prayers at a Bhoota Kola festival somewhere in Karnataka.

Taking to their social media, Hombale Films shared a video showing glimpses of the team as they sought the Daiva’s blessings.

In the caption, the production house noted: “You surrender to nature and worship God, who has bestowed you with such success and freedom in life. #Kantara team witnessed the divine in real form and took the blessings of Daiva!”

Kantara was released in Kannada and Hindi on September 30 and October 14, respectively. The film has been written and directed by Rishab Shetty. Produced by Vijay Kiragandur and Chaluve Gowda, the film features Shetty, Sapthami Gowda, and Kishore Kumar G. in pivotal roles.

Allu Arjun arrives in Vizag for ‘Pushpa: The Rule’ action sequence shoot

Telugu star Allu Arjun, who swayed the nation with his ‘Pushpa: The Rise’, is working tirelessly to put together the sequel for his blockbuster 2021 hit, titled ‘Pushpa: The Rule’. Currently, the team of ‘Pushpa: The Rise’ is in Vizag for a 10-day shoot.

In these 10 days, the makers will round up quite a few sequences including a fight sequence with Allu Arjun. The superstar is currently donning long hair for this sequence. A Fanclub of Allu Arjun shared a still from the sets which show Allu being showered with flower petals and he greets his fans through the sunroof of his car.

The ‘Pushpa franchise has cultivated a rock-solid fanbase given its thoroughly entertaining storytelling, superhit songs like ‘Oo Antava’, Allu Arjun‘s power-packed dialogues and a terrific performance from Fahadh Faasil.

Directed by Sukumar, ‘Pushpa: The Rise’, stars Allu Arjun and Rashmika Mandanna as the lead pair and also Fahadh Faasil. The film will soon enter the post-production stage.

‘Chhatriwali’: Comedy loses its way in sex education

Directed by Tejas Deoskar. Starring Rakul Preet Singh, Sumeet Vyas, Satish Kaushik, Rajesh Tailang and Dolly Ahluwalia. Cinematography: Siddharth Vasani. Music: Mangesh Dhakde, Rohan-Rohan, Sumeet Bellary and Durgesh R. Rajbhatt.

Bollywood has found a safe haven on streaming platforms and is hell-bent on exploring themes that were earlier either forbidden or had no takers.

After the huge success of ‘Vicky Donor’, a film about sperm donation, a number of so-called taboo subjects have found their way into mainstream narratives. ‘Shubh Mangal Savdhan’ on erectile dysfunction, ‘Padman’ on menstrual hygiene, and ‘Chandigarh Kare Aashiqui’ on gender diversities, to name a few.

In the latest, ‘Chhatriwali’, the themes are male contraceptives and safe sex. No harm in dealing with a subject that may not be still discussed openly in families, although everyone seems to be aware of condoms in big and small towns alike.

Set in Karnal, Haryana, the film is about Sanya Dhingra (Rakul), an unemployed chemistry whiz, who is looking for a job and uses her skills to fight an important social taboo by taking sex education classes for young people.
The trouble with such films is that the filmmakers don’t really know whether to make them a comedy or layer them with educational messages. The result obviously is chaos!

Shying away from going the whole hog, the film teeters on morality lessons and makes the female protagonist have her way as she propagates safe sex so that unwanted pregnancies don’t cause health issues among women.

Of course, there are bound to be problems galore, right from her family to her boyfriend, whom she later marries, to her in-laws not liking it if she told them that she works in a factory manufacturing condoms. So she used all tactics possible to ensure that no one gets to know about her job. Now that’s quite a challenge, isn’t it? But Sanya manages it pretty well until the point comes when she has to spill the beans.

Only a few months back, another film, ‘Janhit Mein Jari’, had Nushratt Baruccha playing a similar character. Both films handle almost the same old tiresome issues; men not being comfortable with protected sex, a female sales
executive not revealing her job to her parents and family, who throw a fit when they do get to know what their favorite daughter or bahu is up to, plus of course, innumerable lessons on how these subjects are not to be spoken directly or straightforwardly, and so on.

In a scene where her jethani (Prachee Shah) falls ill as a result of a number of miscarriages, the family dares not utter a word to the chauvinistic husband (Rajesh Tailang) about the mishap. He seems educated but has his way when it comes to fulfilling his sexual desires unguarded. The film does touch upon some relevant and oft-repeated dilemmas confronting married women in most middle-class families.

The film thus becomes a tad boring and repetitive. What keeps your interest alive is its lead, Rakul Preet, who tries to infuse energy and at times sensitivity to her lines. She gets just the support she needs from Vyas, who never lets us down. Both complement each other and make the most of the stereotypical situations with their
earnestness. But as I said earlier, both get restricted because of the predictable script.

The cinematography is passable and there’s nothing to write home about the film’s music.

If you are on a holiday and have nothing better to do, you could watch this less-than-two-hour social/family drama, if you, please!

Shahid cites ‘Kantara’ as example of why only spectacles seem to work

The audience’s content preferences have changed in the last three years. This change has been catalyzed by the Covid-19 pandemic, which even after three years, refuses to slow down.

Today, there is a clear demarcation in the mind of the audience about what they want to watch in theatres, because let’s face it, going to the cinema is not a cakewalk because it involves some effort and then there are the hidden costs of fuel, parking, food and beverage, and not to forget the mind-numbing traffic and pollution.

According to Bollywood actor Shahid Kapoor, who is gearing up for his web-series debut in the crime-thriller series ‘Farzi’, all said and done, good content will always work. He furnishes the recent example of the breakout success of last year’s ‘Kantara’.

The Kannada film, which has been written and directed by its lead actor Rishab Shetty, has broken new grounds and territories courtesy of its rootedness and honest storytelling, something that will define the success of a film in the post-pandemic world.

Shahid told IANS: “How would you judge a film like ‘Kantara’, man? It was not a spectacle when it was released. Of course, it is a spectacle to watch but it was the audience that made that film what it has become now.”

Delving deeper, he said: “It’s more about how cinematic experience a film could provide. I agree that there is a clear demarcation between different content pieces but I don’t see this as a change in trend. I just feel that multiple things have happened in the last three years and the differentiation is what I want to watch at home and what I am willing to watch in the theatres.”

Sharing his observation and insights, he expressed: “One thing that I have observed in the audience is that they are not willing to pay their hard-earned money for mediocre content. Unless your content is good, it has a certain scale, it has a certain entertainment quotient, it won’t work. The audience wants to watch good content. They are willing to walk into the theatres but you have to bring your A-game to the table.”

One may sit down and analyze the impact of the pandemic on the film industries across the world, but at a human level, the pandemic’s initial phase was very challenging for everyone more so for the film fraternity because to put their work together they had to leave behind the social distancing and come together.

Changing the course of the conversation, the actor said: “Another thing is that the pandemic was very challenging for the entire fraternity because we work under certain conditions, this is a collaborative medium and there is a certain way of working.

“For instance, for ‘Farzi’, we hardly met before the shoot, we were constantly on Zoom calls trying to brainstorm from the confines of our homes staying as much safe as we could.

“Filmmaking is a very touch and feels kind of a job, if you have to do a recce, you will have to visit the location and mark the boundaries for the shots, the props, or the production design.”

Shahid plays an artist turned counterfeiter in ‘Farzi’. Shedding light on his character, he said: “I found this character to be a very interesting dichotomy since he is an artiste, he creates something but his creation causes destruction to the economy in the long run.

“What I really love about Sunny (the character) is that I don’t think he knows what he is or what he is capable of. I never judge the characters that I play, it’s okay with me if people judge them or even hate them. My job as an actor is to put conviction and believability in my characters.”

He further mentioned: “My favorite line of this character from the series is that he says he is helping the system by actually putting in more money. Every criminal has a justification for their actions and so does he.”

‘Farzi’ will be available to stream on Prime Video from February 10.

Alia’s Hollywood debut ‘Heart of Stone’ to release in August on Netflix

Bollywood actress Alia Bhatt’s Hollywood debut film ‘Heart of Stone’ starring Gal Gadot and Jamie Dornan is set to release on August 11. The film will be clashing with her husband Ranbir Kapoor’s ‘Animal’.

Streaming giant Netflix shared the release date of the movie along with a slew of other titles through a teaser video on its social media platforms on Wednesday.

Helmed by Tom Harper, Heart of Stone is intended to be the first installment in a series akin to Tom Cruise’s Mission Impossible. The movie also stars Sophie Okonedo, Matthias Schweighofer, Jing Lusi, and Paul Ready in addition to Gal, Jamie, and Alia.

The clip also showed teaser footage of ‘Extraction 2’, ‘Murder Mystery 2’, ‘Rebel Moon’ and ‘The Killer’.

Jennifer Aniston and Adam Sandler’s ‘Murder Mystery 2’ will release on March 13. ‘Extraction 2’ is the second installment of Chris Hemsworth’s ‘Extraction which will drop on June 16.

Alia will next be seen in ‘Rocky Aur Rani Ki Prem Kahani’ with Ranveer Singh, Dharmendra, Jaya Bachchan, and Shabana Azmi. The film is set to hit the theatres on April 28.

‘No rationalisation but there could be upgradations post PVR-INOX amalgamation’

The merger of two multiplex chains – PVR Ltd and INOX Leisure – will not result in any rationalization of properties but there may be upgradation of some screens based on the market, a senior PVR official said.

Chief Financial Officer Nitin Sood also said the company’s Sri Lankan operations have done well during the third quarter despite the economic turmoil the country is facing.

Recently the National Company Law Tribunal (NCLT), Mumbai Bench, has through its verbal order, allowed the proposed scheme of amalgamation between PVR and INOX Leisure.

“Post amalgamation, there will not be any rationalization of screens. But there can be upgrades based on the market demand,” Sood told the media.

He said that post-amalgamation, the company’s new name will be PVR INOX Ltd and the screens will be branded as PVR INOX.

The company expects to complete all the legal formalities with respect to the proposed merger including the issue of PVR shares to INOX shareholders within the next 45 days of receipt of a certified true copy of the order passed by the NCLT.

“With the verbal approval for the merger coming through from NCLT, we are tracking well within the projected timelines for the closure of the transaction. We intend to complete all the formalities within the current financial year,” Chairman cum Managing Director Ajay Bijli said in a statement.

Queried about the average occupancy level of 29 percent, Sood said the two main reasons are the Hindi and Hollywood movies didn’t do well. There were fewer releases of Hollywood movies.

According to the company, the content of Hindi movies was not in sync with consumer tastes, and the quality of content took precedence over superstars. This trend is likely to change in 2023.

Going forward, Sood said Hindi and Hollywood movies are expected to do well.

He said the Hindi movie “Pathaan” will open in a big manner and the campaign against any movie will not have any impact.

Be that as it may, the immediate focus will be on integrating the two entities and there are no near-term plans to expand overseas but there are plans to expand into other Indian cities.

During FY23 till date, PVR had opened 63 screens and 47 more are to be opened before the close of this fiscal.

Presently PVR has 181 cinemas with 903 screens in 78 cities with a total seating capacity of about 186,000.

Sood also said PVR’s Sri Lankan operations generated about Rs 6-7 crore during the third quarter of FY23 as consumers want to step out despite the economic downturn there.

For the third quarter of FY23, PVR’s standalone net profit stood at Rs 12.93 crore (Q3FY22 net loss of Rs 24.53 crore) on a total income of Rs 858.96 crore (Rs 626.28 crore).

The company’s total expenses for the period under review stood at Rs 837.56 crore (Rs 664.56 crore).

‘Salaar’ makers drop night shoot pic, indicate Prabhas movie on track

Sharing the good news with Prabhas fans, the makers of “Salaar” have indicated that shooting is on at a brisk pace.

“Salaar” is among the year’s most anticipated films and it is coming from Hombale Films, makers of the “KGF” franchise and “Kantara”, who have reportedly mounted it with an impressive Rs 400-crore budget.

It is also being billed as Prabhas’s big return replicating the success he savored with the “Baahubali” franchise. He is collaborating with “KGF” director Prasanth Neel, which is why expectations are very high.

Taking to social media, the makers shared a picture of what looks like a night shoot. In the caption, they write: “Shoot in progress”.

“Salaar” will be released on September 28 this year.

Kareena Kapoor drops a major hint about her new project

Bollywood diva Kareena Kapoor Khan has shared an action-filled post hinting at her new project.

Kareena, who will next be seen next in Hansal Mehta’s untitled film, and Sujoy Ghosh’s ‘The Devotion Of Suspect X’, shared a short video on Instagram while hinting at something new that she will announce on January 27.

In the clip, Kareena is seen dressed in black as she lands on the ground like lightning.

She captioned the video and wrote: “It’s not such a big secret, all you have to do is ask nicely. Landing on 27.01.2023 – Stay Tuned. Any guesses.”

The video reminded many fans of Kareena’s popular superhero movie ‘Ra. One alongside superstar Shah Rukh Khan.

Talking about her work, Kareena will be seen next in Hansal Mehta’s untitled film, and Sujoy Ghosh’s adaptation of the Japanese novel, ‘The Devotion Of Suspect X’.

She will also be seen in ‘Crew’, which also stars Tabu and Kriti Sanon.

Allu Arjun gives shoutout for daughter as she dubs for ‘Shaakuntalam’

Even after breaking out on the pan-India scene with ‘Pushpa – The Rise’, Allu Arjun never fails to take time off for his loved ones and is particularly good at pampering his son Allu Ayaan and daughter Allu Arha.

The star and doting father is now rooting for his daughter’s first appearance on the silver screen. Allu Arjun’s little daughter Arha will be making her screen debut in the Samantha Ruth Prabhu-starrer ‘Shaakuntalam’.

Taking to social media, he shared a picture of his daughter from the dubbing studio. The superstar drew a heart on his daughter’s picture.

For the unversed, Allu Arjun’s four-year-old daughter Allu Arha is all set to make her acting debut in ‘Shaakuntalam’, directed by Gunasekhar and produced by Neelima Guna. Little Arha will be seen playing the role of the young Prince Bharata.

In the latest released trailer of ‘Shaakuntalam’, Arha can be seen as Prince Bharata, riding on a lion and her cute face is bound to leave audiences wanting to see more of her.

On the work front, Allu Arjun is gearing up for the release of ‘Pushpa: The Rise’, the sequel to ‘Pushpa: The Rule’.

Rashi Khanna says her ‘Farzi’ character will resonate with women at large

Actress Rashi Khanna, who will be seen essaying the role of a government official in the upcoming Vijay Sethupathi and Shahid Kapoor-starrer web series ‘Farzi’, feels that a lot of women will relate to her character and the challenges that she faces every day in her professional and personal life.

Shedding light on her character, Rashi told IANS: “My character of Megha is that of a modern girl in a patriarchal set-up. We talk about equality and feminism but still, a woman has to struggle a lot in her professional and personal space. She struggles in her personal space with her mother in the series.”

She further mentioned that the audience is bound to empathize with her and her relentless fight to get what she seeks: “You empathize with her because she is very relentless if she sets her mind to it, she accomplishes it at any cost and that manifests itself in her way of dealing with her job and her seniors. She is a bit grey for me, not really black and white because she doesn’t care about the rules, regulations, and the law.”

Given women’s fight against the patriarchy that still dictates the functioning of the modern world, the actress feels that the character will deeply resonate with women across the board.

“She is in a way similar to me and I learned a lot while playing this character and I must say that a lot of women will relate to Megha and her struggles,” she concluded.

‘Farzi’ will stream on Prime Video from February 10, 2023.